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Further Reflections on Hamlet

http://westernperspective.blogspot.com/

In the play Hamlet, the protagonist appears to have lived at the dawn of Christianity in Denmark, as we may gather from Shakespeare's use of the Roman name Claudius for Hamlet's ill-fated uncle. This would put him in the early to mid-9th century, about the time of the first missionary activity in Denmark and Sweden of the Frankish St. Ansgar, not a bad guess for Shakespeare in placing the legendary Amleth over three centuries before his first surviving written account by Saxo in the late 12th century, although Amleth was probably a pagan prince whose grandfather lived in the 7th century.

Hamlet is then a transitional figure between two worlds, paganism and Christianity. His moral judgment can be expected to encompass both.

Comparisons to Obama apparently originate with Sam Schulman's article in the Weekly Standard of March 9, 2009. This represents the neo-conservative point of view.

There is some validity in that both Hamlet and Obama were still young when they experienced a meteoric rise to power. Axelrod and Plouffe are readily substituted for Rosencrantz and Guildenstern. Both Hamlet and Obama are transitional in fully accepting the teachings of Christ, one can assume, as both of Obama's parents were atheists, his father having roots in Islam, Christianity and animism in Kenya. The comparison is valid then in shedding some light on Obama's controversial appearance at the Notre Dame University graduation ceremony. Hamlet's actions were motivated by a desire to avenge his father's death. It is hard to see how this fits in with Obama's life. One would have to dissect Dreams from My Father allegedly ghost written by Bill Ayers to find the answer to this question.

Regarding Obama's ambivalent style which WPR's Judah Grunstein characterizes as "weak and vacillating" particulary with respect to foreign policy decisions last month, also in reference to Hamlet, my view is that both personalities act cautiously and wait for a propitious time to act as fate would allow. Some of this criticism is obviously exaggerated, as for example, in regards to Anita Dunn's use of a quotation from Mao. This particular trait, according to some, is what led ultimately to Hamlet's tragic demise.

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